Collagraph Printmaking with Barry Goodman
Sundays, 6 classes
1:00pm – 4:00pm
Skill Level: All Levels
Spring Session (April 22, 29, May 6, 13, 20 & 27) – 6 classes
Summer Session 1 (June 10, 17, 24, July 1, 8 & 15) – 6 classes
Summer Session 2 (Aug 12, 19, 26 & Sept 2) – 4 classes
Collagraphs are an accessible, very affordable and safe printmaking technique that can produce some very unusual and exciting results. The printing plates are made with non specialist materials using textures to create a unique plate that holds the ink. Collagraphs are printed using an etching press.
This course is a perfect introduction to this intaglio technique, and will provide you with the knowledge and confidence to develop, experiment and produce your own plates.
Perfect for newcomers or returners and certainly for those with previous Collagraph printmaking experience.
Supplies (student responsibility):
*1 sheet (19.5 x 25.5 inches) of acid-free, 100% cotton printing paper will be provided per class registration. This will get you started (good for about 2 or 3 prints, depending on the size of your plate). Beyond this, students will be responsible for their own paper, to be purchased at an art supply store. Information on papers and where to purchase them will be supplied in class. No need to bring paper on the first day of class.
*Your sketch book, photographs or other for inspiration.
*Wear old clothes or an apron.
All other materials will be provided
Cost (6 classes):
Studio fee included
Cost (4 classes):
Studio fee included
Instructor Biography: Barry Goodman
Barry originally intended to become an architect, but studied Graphic Design instead, before pursuing a successful career in Design and illustration. He later studied printmaking at The London College of Printing (University of The Art London).
His design background led naturally into larger graphic prints and paintings, which have been widely exhibited both across the UK and internationally, some of these are now adorning walls as far apart as Streatham, San Francisco, New York and Naples.
His work has been widely published and featured in numerous international magazines, leading educational books and in the media including Societe Perrier – New York, Paperrunway – Australia, Coast Magazine – UK, Artist and Illustrator Magazine – UK, Tegneren – Denmark, Rise Art, Pratical Printmaking and Hybrid Print.
His work is held in public and private collections including The Library of Congress, Washington D.C. and The China Printmaking Museum, Shenzhen.
Barry is a member of The California Society of Printmakers, San Francisco, USA.